|
|
Improvisational Studies for
2003
Lesson 1
Many students ask me, “What are
you thinking about while you are improvising?” I usually respond, in my wry
manner, “my bills.” And so it is, after many years of playing, there is little
to think about. You close your eyes, hope the band is up to par, the club owner
is not a drag, and that it doesn’t rain. Having stated this, I DO understand
the question from the student’s level of playing.
If the ear is still not so perfected, there are several harmonic devices at
your disposal. Today we will speak about applying enharmonic chord substations
to the improvised line. For example, you can look at Cmajor7, voiced in its
root position as C, E, G, and B (also) as some kind of A-9, D7sus4, or
Fmajor7#11. Try to begin thinking this way in the remaining eleven keys. Know
where each interval stands within the enharmonic equivalents. For example, C is
the flat third of A, the flat seventh of D and the fifth of F. E is the third
of C, and the 7th of F, etc. It will be a good idea to invert C, E, G, and B
into three inversions.
For guitar, the “drop 2” voicings work within the comfort zone of guitar
fingerings. Try “arpeggiating” these voicings. After acquiring good command in
arpeggiating these voicings, experiment in the art of displacing their
respective functions. In other words, those same notes, C, E, G, and B will
work miracles within different harmonic settings. If Cmajor7 is changed to
function as some sort of A-9 chord, allow it to lead into the familiar V7
cadential movement. However, now use the initial C, E, G, and B configuration
with the respective inversions in an arpeggiated format. Hence, you teach
yourself to think differently and thus gives you something “to think about”
while you are improvising. I suggest that, if the arpeggiated configurations
become useful against the relative minor, it works best to alter the V7 chord
using #9 and/or b9 tensions into the desired I chord quality. Learn to come
into “back door ways” also for example use the C, E, G, and B arpeggiations
against Fmajor7 (#11/9) after coming out of G-7 to C7, etc.
See you at Lesson 2!!
|